Device pages are special use-case and not normally used for standard MIDI controllers. Documents\Image-Line\FL Studio\Settings\Hardware\ devicename\ Page(number).scr.
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A 2019 study found that 73 per cent of employers perceived that it was “very or somewhat difficult” to find qualified candidates for jobs. Unfortunately, employers are increasingly reporting that it’s difficult to find career-ready candidates. Or tossing out the playbook and coming up with an entirely new game plan when their industry suddenly has to pivot.īut these-and other impossible-to-predict workplace scenarios-will be the reality for today’s students as they grow into adults and enter an ever-changing workforce. Or collaborating with colleagues to solve complex problems that can save lives on a global scale. When you think of career readiness, it’s hard to imagine looking into the cherubic face of a kindergartener and imagine them leading a meeting about third-quarter numbers. Here’s why (and how) you need to think about bringing career readiness into your classroom. (Note the smile on Sydney’s face!) The merino wool in the Green Line yarn is really soft and wonderful.Ensuring students are equipped with career readiness skills starts at school. Then cut off the loom, wash the fabric (gently in warm water with gentle agitation and hang to dry), sew the two ends together, twist the fringe, and smile…Sydney has a new cowl! To make the cowl…Leave fringe at both ends and hemstitch to hold the weft yarns in place before you take the fabric off the loom. Otherwise, you would need two skeins of your favorite color to complete both cowls. Always have an extra to give to a friend! After weaving one cowl, there isn’t enough of the Starry Sky and Dark Lilac to make the same cowl: the second cowl has to have more of the Pebble in it. To make a cowl, it only takes 30″ of weaving. Sydney started with Starry Sky, then used the Dark Lilac interspersed with a bit of Pebble to make an accent. Changing Colors of weft yarn to please your tastes. Repeat these 8 steps for whole cowl, weaving at about 8 ppi. On the rigid heddle loom using a pickup stick to get the extra patterning: Greenline Scarf on the loom–Detail We sett the scarf at 8 epi, 83 ends at just over 10″ wide on the loom. And even took pictures as it was going on! Just remember like any knitting yarn, it is stretchy, so when you are measuring your warp, don’t pull too tightly or you will stretch the yarn. This was her third warp on the Cricket Loom, and she was able to warp it all by herself. Once the plan was made: Sydney was off to the warping peg. Here is the draft that we created to go with this scarf. We started with the Warp Floats in groups of 3 pattern out of Jane Patrick’s book: The Weaver’s Idea Book: Creative Cloth on a Rigid Heddle Loom. It saves all kinds of trouble with calculating ends and planning how the repeats are going to be arranged with the colors. We have Weaveit Pro on our shop computers, and it is so much fun to play with colors and the pattern before you actually get to the loom. Draft for Sydney ScarfĪfter picking the colors we introduced Sydney to the magic of weaving software. She used one 50 g skein each of the colors. Sydney picked 3 colors of wool (Starry Sky, Dark Lilac and Pebble)…this was no easy task with all the colors that are available! Starry Sky and Dark Lilac would be the main colors (replace the yellow and black in the “Inspiration Scarf”) and Pebble would be the accent color (to replace the white in the “Inspiration scarf”). In the “Inspiration Scarf” the simplicity of the three colors, with yellow and black as the two main colors and one accent color makes it an attractive and timeless scarf, and we thought it would work well on the Cricket Loom. We found a scarf that we liked, and called it “Inspiration Scarf”. We found a pattern for a scarf by browsing through Pintrest and Google images. Happily, Sydney had just finished with the Seashore version of the Seaside towels on a Cricket loom, and was ready to do some colorful weaving. The race to the loom was on! Cowl made from Greenline Wool All of us around the Lunatic world were brimming with ideas of what to do with this lovely yarn and what colors we would we weave first. We received a big box of Jaggerspun, Organic Green Line yarn on luscious 50 g skeins a couple weeks ago. I got stuck a number of times where I didn’t know what to do or how to do something and had to watch walkthroughs to help myself out. But what got to me was getting frustrated with the game’s trial and error. It’s a great thing too because there is a lot of backtracking and going around to the same place a number of times. However, I found that Rufus walks a tad slow, which was kind of a problem for me, but thankfully, you can make him run with the ZL or ZR buttons. The game has a pretty fast load time and only takes a few seconds to load to the next scene or area, which makes it great when playing in handheld mode or connected to the TV. However, things don’t work out quite as planned since he has feelings for the beauty, which limits his usual unscrupulousness. When he notices that Goal’s husband is a dead ringer for himself, he hatches a diabolical scheme to gain access to the upper world. Rufus decides to help the young woman out by taking her back to her husband. Fate seems to smile on the egotistical good-for-nothing when one day the attractive lady named Goal from the higher sector plummets into one of the trash heaps. He makes an escape pod to blast himself in the upper sphere on an Organon Cruiser wanting to leave his trash-filled life and tries to grasp his dream – for the opportunity to get into the world of the rich, who live in a floating city high above the clouds called Elysium. He refuses to be part of the lower class and doomed to live his life in literal mountains of trash. In Deponia, the world is a vast garbage dump, and Rufus, the main character you control, wants and seeks more out of life. It reminded me of some of the comedies that I watched, so I had a feeling that I would like it. I thought the trailer was funny, and it really made me want to play the game. The point and click trilogy was originally released on the PC in 2013 and then was ported to the PlayStation 4. Deponia is one of the recent ports that has come to the Switch. Can’t believe that the Nintendo Switch is already three years old, has tons of ports, and has become a phenomenal porting system. This includes sharing information with foreign law enforcement authorities. This set of rules comes on the heels of China’s Data Security Law, which promised additional oversight of data sharing and hefty punishments for those who breached cross-border data transfer rules. The new audits and restrictions are expected to affect primarily foreign data use. Those companies that exceed this threshold will be “required to undergo a cybersecurity review,” including potential ramifications of data transfer for Chinese national security ( including “risk of supply chain interruption” and the risk of data being “maliciously used by foreign governments”), before conducting an IPO in markets outside China. The regulations will apply to any Chinese firm with more than 1 million users. The State Council also announced a set of new cross-border data security regulations. Didi indicated that it had no knowledge that such a crackdown was coming.Ĭommentators believe this is a strong signal of China’s intent to “discourage listings of Chinese tech companies in the United States,” which some see as “the last brick of the digital Berlin Wall” separating the Chinese internet from the global internet. After the measures were announced, the company’s freshly issued stock tumbled more than 30 percent in four days. On July 2, the Cyberspace Administration of China announced that it was placing Didi under investigation over data security concerns and ordered app stores to remove Didi, preventing the company from acquiring new users. New Chinese regulations rolled out in the wake of Didi’s disastrous launch mandate cybersecurity reviews to ensure the safety of user data before Chinese tech companies will be allowed to go public overseas. When Didi’s stocks began trading as scheduled, Beijing reacted quickly, announcing that it was cracking down on the company’s cybersecurity practices and prohibiting the company from accepting any new users in its mostly China-based market. But the launch apparently surprised Chinese regulators, who reportedly thought they had put the brakes on by warning the company not to move ahead with the IPO. Chinese ride-sharing giant, Didi Chuxing, launched on the New York Stock Exchange on June 30, quickly raising $4.4 billion-the largest initial public offering (IPO) of a Chinese company since Alibaba in 2014. I assume you are familiar with semi trailers.
Let me know if it helps and if you suggestion to improve the abstraction. I am using an Intel i7-7700K, AMD RX-580GPU and 16gb of ram. The things I am experiencing match up perfectly with this post from 6 years ago. The idea is to reduce the number of times that the objects and the objects are triggered by reducing the management of the parameters to one abstraction : Hi guys so recently Bitwig has been freezing up and I've been getting 100 cpu usage from the audio engine whenever I tried to play a project with more than a couple of tracks. It surely can be even more improved and it's surely not adapted to all approaches and needs but in this particular case it reduced by half the use of the CPU. This is one solution that should reduce the use of the CPU when a large number of parameter is used. And if there are a lot of these abstractions (corresponding to a large number of parameters), this can become pretty CPU intensive! Solution of the problem And if there are several abstractions, this will trigger the first part for all the abstraction at each DSP tick. So the "first part" of the abstraction ( -> ) will be triggered at each param message (that is receive at each DSP tick - every 64 samples). As I increase the number of parameters in the txt file, the CPU usage of my daw (Bitwig) goes nuts. BS4 now comes shipped with Native Apple Silicon support on mac, allowing both. This latest update introduces several new features, making BS4 more powerful than ever and music production that bit easier. This abstraction works for only one parameter but it receive all the parameters' messages and route the right value using the index given the first argument (and then it sends the value to the object or to a object if a symbol is given for the second argument). High CPU Usage on large parameter count (Bitwig/VST) 121 Closed seegwen opened this issue on 8 comments seegwen commented on High CPU Usage on large parameter count (Bitwig/VST). The latest version of the grid-based DAW, Bitwig Studio 4, is currently in development, with a beta version currently available for testing. quote'dombitwig'Quick one: deactivating tracks (and even hiding those then) as well as deactivating devices and vst plugins to save cpu will be included in 1.1 as an additional function to the current 'on/off' button of devices, which acts like a mute, as you know. So for each parameter you use an abstraction pretty similar to the param.get abstraction given with the examples: You can use an abstraction as this patch where the first argument defined the number of parameters: This way, you can more easily see if the patch will be CPU intensive or not. Analyse the patchįirst of all, one good practice is to use a module in Pd that fakes the parameters' changes at each DSP tick. Perhaps that should even be in the documentation, in a section "How to manage with large number of parameters?". I will send you a suggestion for your patch on your email but as it can be interesting other people I try to reply in a generic way here. We’d take a 15-minute break in the middle. We were determined to do it on our own without the help of an opening act, during the Scarecrow, Lonesome Jubilee period we were playing two one-and-a-half hour sets. Above the door of the studio and above the door of the rehearsal room there’s a sign that says, “You think you’re good when you walk in this room, you’ll be great when you walk out.” It’s an attitude. We were also driven to not be denied we’d been denied for so many years in the early days, jeered at, laughed at and made fun of, that our first taste of success sparked a defiant enthusiasm that has driven us until, pretty much last night. Wanchic: It was a conscious choice trying to expand ourselves musically, in any fashion we knew how. NUVO: There’s a great dichotomy, the band had a roots-with-the-people populist agenda, and on the other hand there are these incredibly conscious and artful choices about how to hone what you were putting across. Learning every single tiny nuance, that was fascinating, what I thought was really happening was not necessarily happening when you got down into the heart of the whole thing. We picked the most interesting songs we’d never actually learned. But as a band, being paid to do that, that was our job. Of course, it’s the Jamie Jamison bass part, it’s a lot of four on the snare … Certainly, no one would ever consciously go, “I’m going to spend the next three months in my living room listening to music and analyzing it,” you just don’t do that. When you really analyze what makes Motown Motown, you understand the various components of what makes the music work. We learned them not just listening to them, but we learned every single nuance of every single song, whether it was “ABC” by the Jackson Five or “White Room” by Cream, “Dancing Days” by Zeppelin, the Rascals catalog, a bunch of Motown, we made a thorough study of what we could bring back to the table. At one point we did a study of American music, we spent three months learning 90 songs of other bands. We rehearsed for six months before a major tour, it took forever. We went into rehearsal at a level that no one ever has. Wanchic: We had consciously in our minds the idea of being the best rock band in the world, whether or not we ever would be was open to question. NUVO: At the same time that you were moving in the public’s mind from John Cougar, a product, to John Cougar Mellencamp, the artist, what crystallized within the band to bring the live shows to their incredible peak? What was going on within the band to drive that? We had no intention of making a record, but he had some inspiration for a few weeks and he wrote the whole record. It was a very spontaneous record, a record that we hadn’t planned to make … I was in the middle of Lake Cumberland on a houseboat when John called me. Big Daddy was certainly a melancholy record and it came at a time in John’s life when he was very reflective. There was a natural progression from Scarecrow which had certain thematic content, to adding the expanded instrumentation on Lonesome Jubilee, completing what we started with Scarecrow. Scarecrow was a transition record between the raw rock ’n’ roll of Uh-Huh and the American music of Lonesome Jubilee. We were feeling our oats as a young American rock band with a lot of success at that moment, we felt we could take the liberty, hell, we even thanked the Rolling Stones on the record. The Uh-Huh record was heavily influenced by the Rolling Stones, very heavily. From that point on we were conceptualizing these records, each one on our own. Don Gehman has production credits on those records, so that we could tell the record company, “This guy’s co-producing our record,” but he was really an engineer … he was a collaborator, but he was by no means our producer. Wanchic: It was the first time we had worked without an outside producer. NUVO: There was a magic that started then, what happened? Mike Wanchic: Larry Crane, myself, Toby Myers and Kenny Aronoff. NUVO: What I’d like to focus on is the period between Uh-Huh and Big Daddy, when you were really gelling as a band and coming into your own as one of the great American rock bands of that era. Self-effacing, hardworking and unsung, the John Mellencamp Band left its mark as one of America’s great rock bands almost as an afterthought, a byproduct of their collective approach to rock ’n’ roll. How did John Cougar from Seymour become John Mellencamp, a Midwestern archetype? Well, the untold part of the story is that he had a secret weapon: his band. Mellencamp has had a longer run than Bird or the IRL, and may yet outlast corn and soybeans. John Mellencamp is as ubiquitous in Indiana as: Larry Bird, the IRL, monoculture? The correct answer is all of the above. Remembering the John Mellencamp Band, one of America’s greatest Also discover the danceability, energy, liveness, instrumentalness, happiness and more musical analysis points on Musicstax. As for ‘Please Take Me With You’, its shuffling and almost drum 'n' bass-like beat mixed with C86 guitars is a nice change of momentum for the record.March, the freedom highway. Find the key and tempo for Protest Song By Broken Social Scene. Recorded October 23, 2017.Host: Stevie ZoomAudio Engineer: Ke. Hug Of Thunder marks the fifth studio album from Canadian alt-rock supergroup Broken Social Scene, their first in seven years. The spacious ‘Skyline’ draws obvious but also complimentary comparisons to The War On Drugs, while ‘Vanity Pail Kids’ is reminiscent of their Canadian counterparts, Arcade Fire. Broken Social Scene - Lovers Spit Broken Social Scene - Cause-Time Broken Social Scene - Sweetest Kill Broken Social Scene - Looks Just Like The Sun Broken. How can I tell you I hear the way you are How can I tell you I hear the way you are How can I tell you I hear the way you are Days go dark the nights are drawn How can I tell you I hear the way you are Days don't end the nights are long Days don't end the nights are long Just take it Just take it like you're strong You're just the latest in the. presents Broken Social Scene performing 'Protest Song' live in the KEXP studio. Resulting in a driving and dense crescendo that features elements of krautrock, ‘Protest Song’ is a rousing listen. This continues with the Emily Haines-led ‘Protest Song’. Ratings for Protest Song from Hug of Thunder by Broken Social Scene. Some of Broken Social Scene's most popular songs include Sweetest Kill, which was featured in the 9-1-1 soundtrack, and Stay Happy, featured in the Sex/Life soundtrack. But was it worth it?įrom the expansive intro track ‘Sol Luna’ to the triumphant and jubilant ‘Halfway Home’, which explodes with a rapturous instrumentation, Broken Social Scene return with wonderfully arranged and layered indie rock. Music by Broken Social Scene has been featured in the Summer '03 soundtrack and Sex/Life soundtrack. How can I tell youre here the way you are How can I tell youre here the way you are How can I tell youre here the way. And with all fifteen original members returning and the added pressure that this brings, this record sure has enough artistic pedigree behind it. The Broken Social Scene leader talks to Ryan Dombal about being an underdog again, and details his two big 2013 projects: a collaborative LP with 60-year-old 'Sugar, Sugar' songwriter. With it being seven years since ‘Forgiveness Rock Record’, the longest period Broken Social Scene have endured between releases, there was bound to be an inevitable apprehension behind ‘Hug Of Thunder’. The distinction between nekton and plankton is not always sharp. They are the main predators in most marine food webs. The nekton are active swimmers and are often the most famous organisms in sea waters. Phytoplankton carries out photosynthesis, while zooplankton is represented by heterotrophic consumers. Plankton can be classified into phytoplankton, zooplankton and microbes (bacteria). Most planktonic protists are eukaryotes, predominantly unicellular organisms. Plankton are represented by a wide variety of organisms such as algae, bacteria, protozoa, larvae of some animals and crustaceans. They live off the nutrients in seawater and through photosynthesis. However, most planktonic organisms are animals less than 1 millimeter in length. Plankton range in size from tiny microbes that are 1 micrometer long to jellyfish, whose gelatinous bell can be up to 2 meters wide and whose tentacles can extend over 15 meters. However, not all species go with the flow, many forms can control their movements, and their survival depends almost entirely on their independence. Most of the plankton spends their existence swimming with the ocean currents. The term plankton is derived from the Greek planktos, which means wandering or drifting. They are essential components of the aquatic food webs, as they provide food for nekton (crustaceans, fish and squid) and benthos.They also have a global impact on the biosphere, as the balance of the components of the Earth's atmosphere is highly dependent on their photosynthetic activities. Plankton are microscopic inhabitants of the pelagic environment. It includes tiny animals and fish larvae. Zooplankton that feeds on phytoplankton.Phytoplankton, which produces food through photosynthesis.Most plankton species are too small to be seen with the naked eye. The other two groups are nekton (actively swimming animals) and benthos (these are living organisms that inhabit the bottom). When you imagine life in the ocean, then usually all associations are somehow associated with fish, although in fact fish is not the most common form. Plankton is the most common form of life in the aquatic environment Benthos are organisms that live on the ocean floor and include plants, animals and bacteria. Some of these creatures, such as lobsters and snails, can move on their own along the bottom, but their lifestyle is so strongly tied to the ocean floor that they would not be able to survive away from this environment. This group includes lobsters, starfish, worms of all kinds, snails, oysters, and many more. What is benthos? The third type of marine animals that spend their entire life at the bottom of the ocean. This large-scale category includes a number of very diverse creatures that are very different from each other in many ways. A variety of fish, octopuses, whales, moray eels, dolphins and squids are all examples of nekton. The nekton class makes up the largest part of the animals living in the ocean. Zooplankton can also include temporary larval forms of organisms that can grow and leave plankton communities and join groups such as nekton, benthos. Zooplankton is represented by drifting animals, which are usually small in size, but can grow to quite large sizes (for example, jellyfish). They are divided into three groups: plankton, nekton, benthos. It includes animals that are ecologically associated with the bottom, including many echinoderms, benthic fish, crustaceans, molluscs, annelids, and so on. Benthos are organisms found in the lowest layers of aquatic habitats. Necton consists of animals that can actively swim and dive in the water, these are fish, turtles, whales, sharks and others. Plankton is formed by algae and small animals that swim near the surface of the water. Plankton, nekton, benthos are three groups into which all aquatic living creatures can be divided. She contributed to the series soundtracks. The series achieved success in Mexico and many Latin-American countries. In 2001 she starred in her second telenovela named Aventuras en el Tiempo, also produced by Televisa. Both show and album became huge successes in Latin America. At 10 she was cast in her first telenovela, ¡Amigos x Siempre!, produced by Televisa in Mexico, and she was featured on the soundtrack. Career 2000–02: Telenovelas and Latin breakthroughĪt a very early age Belinda showed an incredible talent for singing, acting, and writing and shooting home videos. The family moved to Mexico City permanently when Belinda was 4 years old. Her father owned several factories in Europe. She has a younger brother, Ignacio, born in Mexico City in 1996. Her maternal grandfather was the late famous French bullfighter, Pierre Schüll.
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